Critical Imprints

Critical Imprints

A Peer Reviewed Journal by the Department of English Loreto College, Kolkata

ISSN - 2319-4774

CRITICAL IMPRINTS

Vol-VI, Issue-VI,
Peer-Reviewed Journal Published by Department of English, Loreto College – Kolkata

Content

CRITICAL IMPRINTS| Volume – VI, Issue – VI 

Acknowledgements

Sanghita Sanyal

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 

Editorial

Sanghita Sanyal

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page –

A Little Witch: Abjection and Identity in Practical Magic

ANOMITRA BISWAS

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 1-19 

Salman Rushdie’s Transgressive Heroines

ARPA GHOSH

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 20-35 

“Flowing, and Flown”: Elizabeth Bishop and the Mystery of Closure

DEBAPRIYA SANYAL

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 36-54 

Feminist Consciousness in Toni Morrison’s The Bluest Eye

JOYEETA MAJUMDAR

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 55-61 

Battered Lives: Examining Gender-Based Violence in Documentary Films

MADHUMITA BASU

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 62-71 

The Trace of Absence: An Examination of The Discourse that Replaces the Black Dahlia

MERCIA ROZARIO

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 72-102 

Race, Gender and Female Subjectivity: Addressing the White Woman Question in Nadine Gordimer’s July’s People

SAJDA CHOWDHURY

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 103-116 

“Then Nothing be my Speech”: Identity and Its Discontents in Margaret Cavendish’s The Convent of Pleasure

SUKANYA DASGUPTA

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 117-136 

Feminist Leadership in Octavia Butler’s Parables: A Transformational Model for Utopian Community Building

SULAGNA CHATTOPADHYAY

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 137-161 

Contributors

CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 162-164 

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