Critical Imprints
Vol-VI, Issue-VI,Peer-Reviewed Journal Published by Department of English, Loreto College – Kolkata
Content
CRITICAL IMPRINTS| Volume – VI, Issue – VI
Acknowledgements
Sanghita Sanyal
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page –
Editorial
A Little Witch: Abjection and Identity in Practical Magic
ANOMITRA BISWAS
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 1-19
Salman Rushdie’s Transgressive Heroines
ARPA GHOSH
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 20-35
“Flowing, and Flown”: Elizabeth Bishop and the Mystery of Closure
DEBAPRIYA SANYAL
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 36-54
Feminist Consciousness in Toni Morrison’s The Bluest Eye
JOYEETA MAJUMDAR
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 55-61
Battered Lives: Examining Gender-Based Violence in Documentary Films
MADHUMITA BASU
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 62-71
The Trace of Absence: An Examination of The Discourse that Replaces the Black Dahlia
MERCIA ROZARIO
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 72-102
Race, Gender and Female Subjectivity: Addressing the White Woman Question in Nadine Gordimer’s July’s People
SAJDA CHOWDHURY
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 103-116
“Then Nothing be my Speech”: Identity and Its Discontents in Margaret Cavendish’s The Convent of Pleasure
SUKANYA DASGUPTA
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 117-136
Feminist Leadership in Octavia Butler’s Parables: A Transformational Model for Utopian Community Building
SULAGNA CHATTOPADHYAY
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 137-161
Contributors
CRITICAL IMPRINTS| Volume – VI, Issue – VI | Page – 162-164
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