Critical Imprints

Critical Imprints

A Peer Reviewed Journal by the Department of English Loreto College, Kolkata

ISSN - 2319-4774

CRITICAL IMPRINTS

Vol-XII, Issue-XII,
Peer-Reviewed Journal Published by Department of English, Loreto College – Kolkata

Content

CRITICAL IMPRINTS| Volume – XII, Issue – XII |

Acknowledgement

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – iii-iv

Introduction

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – v-ix

Public Women, Private Nightmares: Surveillance, Sensationalism, and the Dystopian Politics of Exposure in Victorian News Media

MANISHA BHATTACHARYA

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 1-21

The Dystopian Quest for Perfection: Evolutionary Anxieties in Two Early Pulp Science Fiction Stories by Women

SULAGNA CHATTOPADHYAY

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 22-47

Posthumanism and Subaltern Dystopia in Select Bengali Dalit Women’s Writings

SURABHI JHA 

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 48-63

Are Humans Enough? Decoding Posthuman Subjectivity in Ray Bradbury’s The Veldt, ere Will Come Soft Rains and Marionettes, Inc.

DIPTARKAN BHATTACHARYA

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 64-71

Monsters in a Shrouded World: A Critical Study of Apocalyptic Themes in Stephen King’s The Mist

MELANIE ALEXANDER

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 72-98

A Study of Afrofuturistic Storytelling in Selected Post-Apocalyptic Graphic Narratives

AISHWARYA BHUTORIA

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 99-114

Cross-Cultural Representation of Dystopia

PREM ALEAN BAG

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 115-127

Death, Dystopia and Darkness: Reading Abjection in Ganesh Pyne’s paintings

SRIJANI DUTTA

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 128-132

“You can only be the Revolution”: The Utopian Embodiment of the Ones Who Walk Away from Omelas

SANGYA PAL

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 133-149

The Burden of Being Other: Caste and Communalism in Neeraj Ghaywan’s Homebound

BHAIRAB BARMAN

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 150-154

Contributors

CRITICAL IMPRINTS| Volume – XII, Issue – XII | Page – 155-157